EUROPE 1300 - 1750 | apahkuntz1

<< ISLAMIC ART

EUROPE - 1300-1750 CE

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Part 1: Late Medieval Painting

Part 2: Northern Renaissance

Part 3: Florentine Renaissance

Part 4: High, Late, Venetian Renaissance

Part 1: LATE MEDIEVAL PAINTING

63 - Arena (Scrovegni) Chapel

63 - Arena (Scrovegni) Chapel facade

63 - Arena (Scrovegni) Chapel, Giotto di Bondone

64 - Golden Haggadah (The Plagues of Egypt)

64 - Golden Haggadah (Scenes of Liberation)

63 - Arena (Scrovegni) Chapel, including Lamentation, Giotto di Bondone c2

CimabueMadonnaEnthroned

giottomadonna

Duccio_maesta1021

APAH 250 Images:

CONTENT: What do you see?

FORM: The details (what you see more exactly). How the artist delivers the content.

CONTEXT: Everything NOT observable.

FUNCTION: The intended purpose of the work.

Assignments:

READINGS: Stockstad, Chapter 18,

pgs 536-548

UNIT SHEET: below

Q CARDS: Images displayed

SNAPSHOT Sheet:

SNAPSHOT SHEET

The Golden Haggadah

Late Medieval Painting Unit Sheet

Late Medieval Painting

63. Arena (Scrovegni) Chapel,

including Lamentation
64. Golden Haggadah

* Madonna Enthroned, Cimabue
* Madonna Enthroned, Giotto
* Virgin and Child Enthroned, Duccio

Part 1: Late Medieval Painting Unit Sheet

Part 2: NORTHERN RENAISSANCE ART

66 - Annunciation Triptych (Merode Altarpiece)

77-_Isenheim_altarpiece,_Matthias_Grünewald

77_-_Isenheim_altarpiece,_Matthias_Grünewald,_open

68 - The Arnolfini Portrait, Jan van Eyck hi res

74__-Adam_and_Eve._Albrecht_Dürer

79 - Allegory of Law and Grace, Lucas Cranach the Elder

83 - Hunters in the Snow, Pieter Bruegel the Elder

bosch

CONTENT: What do you see?

FORM: The details (what you see more exactly). How the artist delivers the content.

CONTEXT: Everything NOT observable.

FUNCTION: The intended purpose of the work.

Assignments:

READINGS: Stockstad, Chapters 19 + 22 (various sections)

UNIT SHEET: below

Q CARDS: Images displayed

SNAPSHOT Sheet:

SNAPSHOT SHEET

Northern Renaissance Unit Sheet

APAH 250 Images:

Part 2: Northern Renaissance Unit Sheet

66. Annunciation Triptych (Merode Altarpiece)

68. The Arnolfini Portrait, Jan van Eyck

77. Isenheim Altarpiece, Matthias Grünewald

74. Adam and Eve, Albrecht Dürer

79. Allegory of Law and Grace,

Lucas Cranach the Elder

83. Hunters in the Snow, Pieter Bruegel the Elder

* Garden of Earthly Delights, Hieronymus Bosch

APAHtemplateEUROPEPart2northernrenaissan

Part 3: FLORENTINE RENAISSANCE ART

brancaccichapel

masaccio_holy_trinity

tribute_money__masaccio

71 - Madonna and Child with Two Angels, Fra Filippo Lippi

72 - Birth of Venus. Sandro Botticelli

PeruginoChristdeliveringkeys

florence-cathedral

baptistrydoorsghiberti

69 - David, Donatello

CONTENT: What do you see?

FORM: The details (what you see more exactly). How the artist delivers the content.

CONTEXT: Everything NOT observable.

FUNCTION: The intended purpose of the work.

Assignments:

READINGS: Stockstad, Chapter 20

UNIT SHEET: below

Q CARDS: Images displayed

SNAPSHOT Sheet:

SNAPSHOT SHEET

Florentine Renaissance Unit Sheet

APAH 250 Images:

Part3: Florentine Renaissance Unit Sheet

* Brancacci Chapel –

Masaccio’s Holy Trinity/Tribute Money

71. Madonna and Child with Two Angels,

Fra Filippo Lippi

72. Birth of Venus, Sandro Botticelli

* Christ Delivering the Keys to the Kingdom,

Perugino

* Florence Cathedral, Baptistry Doors, Ghiberti

69. David, Donatello and St. Mark

67. Pazzi Chapel, Filipo Brunellschi
70. Palazzo Rucellai, Leon Battista Alberti

APAHtemplateEUROPEPART3florentinerenaiss

Part 4: HIGH, LATE, VENETIAN RENAISSANCE

Raffael_Stanza_della_Segnatura

73 - Last Supper, Leonardo da Vinci

monalisa

76 - School of Athens, Raphael

75 - Sistine Chapel ceiling, exterior aerial view

75 - Sistine Chapel ceiling and altar wall frescoes, Michelangelo, alternate

75 - Sistine Chapel ceiling and altar wall frescoes, Michelangelo

75 - Sistine Chapel ceiling , The Flood

75 - Sistine Chapel ceiling , Delphic Sibyl

CONTENT: What do you see?

FORM: The details (what you see more exactly). How the artist delivers the content.

CONTEXT: Everything NOT observable.

FUNCTION: The intended purpose of the work.

Assignments:

READINGS: Stockstad, Chapter 21

UNIT SHEET: below

Q CARDS: Images displayed

SNAPSHOT Sheet:

SNAPSHOT SHEET

High/Late/Venetian Renaissance Unit Sheet

APAH 250 Images:

High Renaissance:

73. Last Supper, Leonardo da Vinci

* Mona Lisa, Leonardo da Vinci

76. School of Athens, Raphael

75. Sistine Chapel ceiling and altar wall

frescos, Michelangelo

* Michelangelo: David, Pieta, Moses, Bound

Slaves

* Bramante: tempieto, Plan for St. Peter’s

* Raphael’s cycle of paintings Stanza della

Segnatura

Late + Venetian Renaissance:

80. Venus of Urbino, Titian

* Villa Rotunda, Palladio

* Last Supper, Tintoretto

* Feast in the House of Levi, Veronese

Key Ideas- High Renaissance

(1495-1520)

Revitalization of the city of Rome under Pope Julius II
All about Roman Grandeur by producing awe inspiring artistic projects
Key Points: Symmetry, Balance, Ideal Proportions, Triangular compositions
Venetian Painters stress sensuous forms with sophisticated color combos
Portraits are of true likeness and personalities
Renaissance = Before sack of Rome
Mannerism = After 1527

Part 4: High, Late, Venetian Renaissance Unit Sheet

APAHtemplateEUROPEpart4highrenaissance.j

Part 5: MANNERISM

CONTENT: What do you see?

FORM: The details (what you see more exactly). How the artist delivers the content.

CONTEXT: Everything NOT observable.

FUNCTION: The intended purpose of the work.

Assignments:

READINGS: Stockstad, Chapter 21, pgs 661-668

UNIT SHEET: below

Q CARDS: Images displayed

SNAPSHOT Sheet:

SNAPSHOT SHEET

Mannerism Unit Sheet

APAH 250 Images:

78. Entombment of Christ, Jacobo da Pontormo

* Burial of Count Orgaz, El Greco

Key Ideas- Mannerism (1520-1600)

Mannerist art is deliberately intellectual, asking the viewer to respond in a sophisticated way to the spatial challenges
Complicated compositions, distorted figures, complex allegorical interpretations

Part 5: Mannerism Unit Sheet

EUROPE - 1300-1750 CE

Part 1: Late Medieval Painting

Part 2: Northern Renaissance

Part 3: Florentine Renaissance

Part 4: High, Late, Venetian Renaissance

Part 1: LATE MEDIEVAL PAINTING

APAH 250 Images:

Assignments:

Late Medieval Painting Unit Sheet

Part 1: Late Medieval Painting Unit Sheet

Part 2: NORTHERN RENAISSANCE ART

Assignments:

Northern Renaissance Unit Sheet

APAH 250 Images:

Part 2: Northern Renaissance Unit Sheet

Part 3: FLORENTINE RENAISSANCE ART

Assignments:

Florentine Renaissance Unit Sheet

APAH 250 Images:

Part3: Florentine Renaissance Unit Sheet

Part 4: HIGH, LATE, VENETIAN RENAISSANCE

Assignments:

High/Late/Venetian Renaissance Unit Sheet

APAH 250 Images:

Key Ideas- High Renaissance

(1495-1520)

Revitalization of the city of Rome under Pope Julius II

All about Roman Grandeur by producing awe inspiring artistic projects

Key Points: Symmetry, Balance, Ideal Proportions, Triangular compositions

Venetian Painters stress sensuous forms with sophisticated color combos

Portraits are of true likeness and personalities

Renaissance = Before sack of Rome

Mannerism = After 1527

Part 4: High, Late, Venetian Renaissance Unit Sheet

Part 5: MANNERISM

Assignments:

Mannerism Unit Sheet

APAH 250 Images:

Key Ideas- Mannerism (1520-1600)

Mannerist art is deliberately intellectual, asking the viewer to respond in a sophisticated way to the spatial challenges

Complicated compositions, distorted figures, complex allegorical interpretations

Part 5: Mannerism Unit Sheet