Kuntz
AP Art History
AP
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Be fearless. Yes, this course requires a lot of time, work, and thinking. But I promise, when it's done you'll never regret the work you did.
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Don't miss class if you can help it. Much of the information in class is the "best" and can't be found on the Internet or my research materials. It's the "good stuff" that makes the art works come alive!
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Don't cheat. Do your own work, take your own tests, don't copy. It's the only way you'll really get to know the material (and be the smartest one in your freshman college classes!)
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Take a chance. Be risky. Don't simply sit and not participate in class - the best part is the discussion and your opinions!
List of Required Works in Order and AP Exam Weighting
Unit 1: Global Prehistory, 30,000–500 bce (11 works - 4%)
1. Apollo 11 stones. Namibia. c. 25,500–25,300 bce. Charcoal on stone.
2. Great Hall of the Bulls. Lascaux, France. Paleolithic Europe. 15,000–13,000 bce. Rock painting.
3. Camelid sacrum in the shape of a canine. Tequixquiac, central Mexico. 14,000–7000 bce. Bone.
4. Running horned woman. Tassili n’Ajjer, Algeria. 6000–4000 bce. Pigment on rock.
5. Beaker with ibex motifs. Susa, Iran. 4200–3500 bce. Painted terra cotta.
6. Anthropomorphic stele. Arabian Peninsula. Fourth millennium bce. Sandstone.
7. Jade cong. Liangzhu, China. 3300–2200 bce. Carved jade.
8. Stonehenge. Wiltshire, UK. Neolithic Europe. c. 2500–1600 bce. Sandstone.
9. The Ambum stone. Ambum Valley, Enga Province, Papua New Guinea. c. 1500 bce. Greywacke.
10. Tlatilco female figurine. Central Mexico, site of Tlatilco. 1200–900 bce. Ceramic.
11. Terra cotta fragment. Lapita. Reef Islands, Solomon Islands. 1000 bce. Terra cotta (incised).
Unit 2: Ancient Mediterranean, 3500 bce–300 ce (36 works - 15%)
12. White Temple and its ziggurat. Uruk (modern Warka, Iraq). Sumerian. c. 3500–3000 bce. Mud brick.
13. Palette of King Narmer. Predynastic Egypt. c. 30002920 bce. Greywacke.
14. Statues of votive figures, from the Square Temple at Eshnunna (modern Tell Asmar, Iraq). Sumerian. c. 2700 bce. Gypsum inlaid with shell and black limestone.
15. Seated scribe. Saqqara, Egypt. Old Kingdom, Fourth Dynasty. c. 2620–2500 bce. Painted limestone.
16. Standard of Ur from the Royal Tombs at Ur (modern Tell el-Muqayyar, Iraq). Sumerian. c. 2600–2400 bce. Wood inlaid with shell, lapis lazuli, and red limestone.
17. Great Pyramids (Menkaura, Khafre, Khufu) and Great Sphinx. Giza, Egypt. Old Kingdom, Fourth Dynasty. c. 2550–2490 bce. Cut limestone.
18. King Menkaura and queen. Old Kingdom, Fourth Dynasty. c. 2490–2472 bce. Greywacke.
19. The Code of Hammurabi. Babylon (modern Iran). Susian. c. 1792–1750 bce. Basalt.
20. Temple of Amun-Re and Hypostyle Hall. Karnak, near Luxor, Egypt. New Kingdom, 18th and 19th Dynasties. Temple: c. 1550 bce; hall: c. 1250 bce. Cut sandstone and mud brick.
21. Mortuary temple of Hatshepsut. Near Luxor, Egypt. New Kingdom, 18th Dynasty. c. 1473–1458 bce. Sandstone, partially carved into a rock cliff, and red granite.
22. Akhenaten, Nefertiti, and three daughters. New Kingdom (Amarna), 18th Dynasty. c. 1353–1335 bce. Limestone.
23. Tutankhamun’s tomb, innermost coffin. New Kingdom, 18th Dynasty. c. 1323 bce. Gold with inlay of enamel and semiprecious stones.
24. Last judgment of Hunefer, from his tomb (page from the Book of the Dead ). New Kingdom, 19th Dynasty. c. 1275 bce. Painted papyrus scroll.
25. Lamassu from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad, Iraq). Neo-Assyrian. c. 720–705 bce. Alabaster.
26. Athenian agora. Archaic through Hellenistic Greek. 600 bce–150 ce. Plan.
27. Anavysos Kouros. Archaic Greek. c. 530 bce. Marble with remnants of paint.
28. Peplos Kore from the Acropolis. Archaic Greek. c. 530 bce. Marble, painted details.
29. Sarcophagus of the Spouses. Etruscan. c. 520 bce. Terra cotta.
30. Audience Hall (apadana) of Darius and Xerxes. Persepolis, Iran. Persian. c. 520–465 bce. Limestone.
31. Temple of Minerva (Veii, near Rome, Italy) and sculpture of Apollo. Master sculptor Vulca. c. 510500 bce. Original temple of wood, mud brick, or tufa (volcanic rock); terra cotta sculpture.
32. Tomb of the Triclinium. Tarquinia, Italy. Etruscan. c. 480–470 bce. Tufa and fresco.
33. Niobides Krater. Anonymous vase painter of Classical Greece known as the Niobid Painter. c. 460–450 bce. Clay, red-figure technique (white highlights).
34. Doryphoros (Spear Bearer). Polykleitos. Original 450–440 bce. Roman copy (marble) of Greek original (bronze).
35. Acropolis. Athens, Greece. Iktinos and Kallikrates. c. 447–410 bce. Marble.
36. Grave stele of Hegeso. Attributed to Kallimachos. c. 410 bce. Marble and paint.
37. Winged Victory of Samothrace. Hellenistic Greek. c. 190 bce. Marble.
38. Great Altar of Zeus and Athena at Pergamon. Asia Minor (present-day Turkey). Hellenistic Greek. c. 175 bce. Marble (architecture and sculpture).
39. House of the Vettii. Pompeii, Italy. Imperial Roman. c. second century bce; rebuilt c. 62–79 ce. Cut stone and fresco.
40. Alexander Mosaic from the House of Faun, Pompeii. Republican Roman. c. 100 bce. Mosaic.
41. Seated boxer. Hellenistic Greek. c. 100 bce. Bronze.
42. Head of a Roman patrician. Republican Roman. c. 75–50 bce. Marble.
43. Augustus of Prima Porta. Imperial Roman. Early first century ce. Marble.
44. Colosseum (Flavian Amphitheater). Rome, Italy. Imperial Roman. 70–80 ce. Stone and concrete.
45. Forum of Trajan. Rome, Italy. Apollodorus of Damascus. Forum and markets: 106–112 ce; column completed 113 ce. Brick and concrete (architecture); marble (column).
46. Pantheon. Imperial Roman. 118–125 ce. Concrete with stone facing.
47. Ludovisi Battle Sarcophagus. Late Imperial Roman. c. 250 ce. Marble.
Unit 3: Early Europe and Colonial Americas, 200–1750 ce (51 works - 21%)
48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. c. 200–400 ce. Excavated tufa and fresco.
49. Santa Sabina. Rome, Italy. Late Antique Europe. c. 422–432 ce. Brick and stone, wooden roof.
50. Rebecca and Eliezer at the Well and Jacob Wrestling the Angel, from the Vienna Genesis. Early Byzantine Europe. Early sixth century ce. Illuminated manuscript (tempera, gold, and silver on purple vellum).
51. San Vitale. Ravenna, Italy. Early Byzantine Europe. c. 526–547 ce. Brick, marble, and stone veneer; mosaic. 52. Hagia Sophia. Constantinople (Istanbul). Anthemius of Tralles and Isidorus of Miletus. 532–537 ce. Brick and ceramic elements with stone and mosaic veneer.
53. Merovingian looped fibulae. Early medieval Europe. Mid-sixth century ce. Silver gilt worked in filigree, with inlays of garnets and other stones.
54. Virgin (Theotokos) and Child between Saints Theodore and George. Early Byzantine Europe. Sixth or early seventh century ce. Encaustic on wood.
55. Lindisfarne Gospels: St. Matthew, cross-carpet page; St. Luke portrait page; St. Luke incipit page. Early medieval (Hiberno Saxon) Europe. c. 700 ce. Illuminated manuscript (ink, pigments, and gold on vellum).
56. Great Mosque. Córdoba, Spain. Umayyad. c. 785–786 ce. Stone masonry.
57. Pyxis of al-Mughira. Umayyad. c. 968 ce. Ivory.
58. Church of Sainte-Foy. Conques, France. Romanesque Europe. Church: c. 1050–1130 ce; Reliquary of Saint Foy: ninth century ce, with later additions. Stone (architecture); stone and paint (tympanum); gold, silver, gemstones, and enamel over wood (reliquary).
59. Bayeux Tapestry. Romanesque Europe (English or Norman). c. 1066–1080 ce. Embroidery on linen.
60. Chartres Cathedral. Chartres, France. Gothic Europe. Original construction c. 1145–1155 ce; reconstructed c. 1194–1220 ce. Limestone, stained glass.
61. Dedication Page with Blanche of Castile and King Louis IX of France, Scenes from the Apocalypse from Bibles moralisées. Gothic Europe. c. 12251245 ce. Illuminated manuscript (ink, tempera, and gold leaf on vellum). (2 images, each from a separate manuscript)
62. Röttgen Pietà. Late medieval Europe. c. 1300–1325 ce. Painted wood.
63. Arena (Scrovegni) Chapel, including Lamentation. Padua, Italy. Unknown architect; Giotto di Bondone (artist). Chapel: c. 1303 ce; Fresco: c. 1305 ce. Brick (architecture) and fresco.
64. Golden Haggadah (The Plagues of Egypt, Scenes of Liberation, and Preparation for Passover). Late medieval Spain. c. 1320 ce. Illuminated manuscript (pigments and gold leaf on vellum).
65. Alhambra. Granada, Spain. Nasrid Dynasty. 1354–1391 ce. Whitewashed adobe stucco, wood, tile, paint, and gilding.
66. Annunciation Triptych (Merode Altarpiece). Workshop of Robert Campin. 1427–1432 ce. Oil on wood.
67. Pazzi Chapel. Basilica di Santa Croce. Florence, Italy. Filippo Brunelleschi (architect). c. 1429–1461 ce. Masonry.
68. The Arnolfini Portrait. Jan van Eyck. c. 1434 ce. Oil on wood.
69. David. Donatello. c. 1440–1460 ce. Bronze.
70. Palazzo Rucellai. Florence, Italy. Leon Battista Alberti (architect). c. 1450 ce. Stone, masonry.
71. Madonna and Child with Two Angels. Fra Filippo Lippi. c. 1465 ce. Tempera on wood.
72. Birth of Venus. Sandro Botticelli. c. 1484–1486 ce. Tempera on canvas.
73. Last Supper. Leonardo da Vinci. c. 1494–1498 ce. Oil and tempera.
74. Adam and Eve. Albrecht Dürer. 1504 ce. Engraving.
75. Sistine Chapel ceiling and altar wall frescoes. Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508–1512 ce; altar frescoes: c. 1536–1541 ce. Fresco.
76. School of Athens. Raphael. 1509–1511 ce. Fresco.
77. Isenheim altarpiece. Matthias Grünewald. c. 1512–1516 ce. Oil on wood.
78. Entombment of Christ. Jacopo da Pontormo. 1525–1528 ce. Oil on wood.
79. Allegory of Law and Grace. Lucas Cranach the Elder. c. 1530 ce. Woodcut and letterpress.
80. Venus of Urbino. Titian. c. 1538 ce. Oil on canvas.
81. Frontispiece of the Codex Mendoza. Viceroyalty of New Spain. c. 1541–1542 ce. Ink and color on paper.
82. Il Gesù, including Triumph of the Name of Jesus ceiling fresco. Rome, Italy. Giacomo da Vignola, plan (architect); Giacomo della Porta, facade (architect); Giovanni Battista Gaulli, ceiling fresco (artist). Church: 16th century ce; facade: 1568–1584 ce; fresco and stucco figures: 1676–1679 ce. Brick, marble, fresco, and stucco.
83. Hunters in the Snow. Pieter Bruegel the Elder. 1565 ce. Oil on wood.
84. Mosque of Selim II. Edirne, Turkey. Sinan (architect). 1568–1575 ce. Brick and stone.
85. Calling of Saint Matthew. Caravaggio. c. 1597–1601 ce. Oil on canvas.
86. Henri IV Receives the Portrait of Marie de’ Medici, from the Marie de’ Medici Cycle. Peter Paul Rubens. 1621–1625 ce. Oil on canvas.
87. Self-Portrait with Saskia. Rembrandt van Rijn. 1636 ce. Etching.
88. San Carlo alle Quattro Fontane. Rome, Italy. Francesco Borromini (architect). 1638–1646 ce. Stone and stucco.
89. Ecstasy of Saint Teresa. Cornaro Chapel, Church of Santa Maria della Vittoria. Rome, Italy. Gian Lorenzo Bernini. c. 1647–1652 ce. Marble (sculpture); stucco and gilt bronze (chapel).
90. Angel with Arquebus, Asiel Timor Dei. Master of Calamarca (La Paz School). c. 17th century ce. Oil on canvas.
91. Las Meninas. Diego Velázquez. c. 1656 ce. Oil on canvas.
92. Woman Holding a Balance. Johannes Vermeer. c. 1664 ce. Oil on canvas.
93. The Palace at Versailles. Versailles, France. Louis Le Vau and Jules Hardouin-Mansart (architects). Begun 1669 ce. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens.
94. Screen with the Siege of Belgrade and hunting scene. Circle of the González Family. c. 1697–1701 ce. Tempera and resin on wood, shell inlay.
95. The Virgin of Guadalupe (Virgen de Guadalupe). Miguel González. c. 1698 ce. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century ce. Oil on canvas on wood, inlaid with mother-of-pearl.
96. Fruit and Insects. Rachel Ruysch. 1711 ce. Oil on wood.
97. Spaniard and Indian Produce a Mestizo. Attributed to Juan Rodríguez Juárez. c. 1715 ce. Oil on canvas.
98. The Tête à Tête, from Marriage à la Mode. William Hogarth. c. 1743 ce. Oil on canvas.
Unit 4: Later Europe and Americas, 1750–1980 ce (54 works - 21%)
99. Portrait of Sor Juana Inés de la Cruz. Miguel Cabrera. c. 1750 ce. Oil on canvas.
100. A Philosopher Giving a Lecture on the Orrery. Joseph Wright of Derby. c. 1763–1765 ce. Oil on canvas.
101. The Swing. Jean-Honoré Fragonard. 1767 ce. Oil on canvas.
102. Monticello. Virginia, U.S. Thomas Jefferson (architect). 1768–1809 ce. Brick, glass, stone, and wood.
103. The Oath of the Horatii. Jacques-Louis David. 1784 ce. Oil on canvas.
104. George Washington. Jean-Antoine Houdon. 1788–1792 ce. Marble.
105. Self-Portrait. Elisabeth Louise Vigée Le Brun. 1790 ce. Oil on canvas.
106. Y no hai remedio (And There’s Nothing to Be Done), from Los Desastres de la Guerra (The Disasters of War), plate 15. Francisco de Goya. 1810–1823 ce (published 1863). Etching, drypoint, burin, and burnishing.
107. La Grande Odalisque. Jean-Auguste-Dominique Ingres. 1814 ce. Oil on canvas.
108. Liberty Leading the People. Eugène Delacroix. 1830 ce. Oil on canvas.
109. The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm). Thomas Cole. 1836 ce. Oil on canvas.
110. Still Life in Studio. Louis-Jacques-Mandé Daguerre. 1837 ce. Daguerreotype.
111. Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). Joseph Mallord William Turner. 1840 ce. Oil on canvas.
112. Palace of Westminster (Houses of Parliament). London, England. Charles Barry and Augustus W. N. Pugin (architects). 1840–1870 ce. Limestone masonry and glass.
113. The Stone Breakers. Gustave Courbet. 1849 ce (destroyed in 1945). Oil on canvas.
114. Nadar Raising Photography to the Height of Art. Honoré Daumier. 1862 ce. Lithograph.
115. Olympia. Édouard Manet. 1863 ce. Oil on canvas.
116. The Saint-Lazare Station. Claude Monet. 1877 ce. Oil on canvas.
117. The Horse in Motion. Eadweard Muybridge. 1878 ce. Albumen print.
118. The Valley of Mexico from the Hillside of Santa Isabel (El Valle de México desde el Cerro de Santa Isabel). Jose María Velasco. 1882 ce. Oil on canvas.
119. The Burghers of Calais. Auguste Rodin. 1884–1895 ce. Bronze.
120. The Starry Night. Vincent van Gogh. 1889 ce. Oil on canvas.
121. The Coiffure. Mary Cassatt. 1890–1891 ce. Drypoint and aquatint.
122. The Scream. Edvard Munch. 1893 ce. Tempera and pastels on cardboard.
123. Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin. 1897–1898 ce. Oil on canvas.
124. Carson, Pirie, Scott and Company Building. Chicago, Illinois, U.S. Louis Sullivan (architect). 1899–1903 ce. Iron, steel, glass, and terra cotta.
125. Mont Sainte-Victoire. Paul Cézanne. 1902–1904 ce. Oil on canvas.
126. Les Demoiselles d’Avignon. Pablo Picasso. 1907 ce. Oil on canvas.
127. The Steerage. Alfred Stieglitz. 1907 ce. Photogravure.
128. The Kiss. Gustav Klimt. 1907–1908 ce. Oil and gold leaf on canvas.
129. The Kiss. Constantin Brancusi. Original 1907–1908 ce. Stone.
130. The Portuguese. Georges Braque. 1911 ce. Oil on canvas.
131. Goldfish. Henri Matisse. 1912 ce. Oil on canvas.
132. Improvisation 28 (second version). Vassily Kandinsky. 1912 ce. Oil on canvas.
133. Self-Portrait as a Soldier. Ernst Ludwig Kirchner. 1915 ce. Oil on canvas.
134. Memorial Sheet for Karl Liebknecht. Käthe Kollwitz. 1919–1920 ce. Woodcut.
135. Villa Savoye. Poissy-sur-Seine, France. Le Corbusier (architect). 1929 ce. Steel and reinforced concrete.
136. Composition with Red, Blue and Yellow. Piet Mondrian. 1930 ce. Oil on canvas.
137. Illustration from The Results of the First Five-Year Plan. Varvara Stepanova. 1932 ce. Photomontage.
138. Object (Le Déjeuner en fourrure). Meret Oppenheim. 1936 ce. Fur-covered cup, saucer, and spoon.
139. Fallingwater. Pennsylvania, U.S. Frank Lloyd Wright (architect). 1936–1939 ce. Reinforced concrete, sandstone, steel, and glass.
140. The Two Fridas. Frida Kahlo. 1939 ce. Oil on canvas.
141. The Migration of the Negro, Panel no. 49. Jacob Lawrence. 1940–1941 ce. Casein tempera on hardboard.
142. The Jungle. Wifredo Lam. 1943 ce. Gouache on paper mounted on canvas.
143. Dream of a Sunday Afternoon in the Alameda Park. Diego Rivera. 1947–1948 ce. Fresco.
144. Fountain (second version). Marcel Duchamp. 1950 ce. (original 1917). Readymade glazed sanitary china with black paint. 145. Woman, I. Willem de Kooning. 1950–1952 ce. Oil on canvas.
146. Seagram Building. New York City, U.S. Ludwig Mies van der Rohe and Philip Johnson (architects). 1954–1958 ce. Steel frame with glass curtain wall and bronze.
147. Marilyn Diptych. Andy Warhol. 1962 ce. Oil, acrylic, and silkscreen enamel on canvas.
148. Narcissus Garden. Yayoi Kusama. Original installation and performance 1966. Mirror balls.
149. The Bay. Helen Frankenthaler. 1963 ce. Acrylic on canvas.
150. Lipstick (Ascending) on Caterpillar Tracks. Claes Oldenburg. 1969–1974 ce. Cor-Ten steel, steel, aluminum, and cast resin; painted with polyurethane enamel.
151. Spiral Jetty. Great Salt Lake, Utah, U.S. Robert Smithson. 1970 ce. Earthwork: mud, precipitated salt crystals, rocks, and water coil.
152. House in New Castle County. Delaware, U.S. Robert Venturi, John Rauch, and Denise Scott Brown (architects). 1978–1983 ce. Wood frame and stucco.
Unit 5: Indigenous Americas, 1000 bce–1980 ce (14 works - 6%)
153. Chavín de Huántar. Northern highlands, Peru. Chavín. 900–200 bce. Stone (architectural complex); granite (Lanzón and sculpture); hammered gold alloy (jewelry).
154. Mesa Verde cliff dwellings. Montezuma County, Colorado. Ancestral Puebloan (Anasazi). 450–1300 ce. Sandstone.
155. Yaxchilán. Chiapas, Mexico. Maya. 725 ce. Limestone (architectural complex).
156. Great Serpent Mound. Adams County, southern Ohio. Mississippian (Eastern Woodlands). c. 1070 ce. Earthwork/effigy mound.
157. Templo Mayor (Main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375–1520 ce. Stone (temple); volcanic stone (The Coyolxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone).
158. Ruler’s feather headdress (probably of Motecuhzoma II). Mexica (Aztec). 1428–1520 ce. Feathers (quetzal and cotinga) and gold.
159. City of Cusco, including Qorikancha (Inka main temple), Santo Domingo (Spanish colonial convent), and Walls at Saqsa Waman (Sacsayhuaman). Central highlands, Peru. Inka. c. 1440 ce; convent added 15501650 ce. Andesite.
160. Maize cobs. Inka. c. 1440–1533 ce. Sheet metal/ repoussé, metal alloys.
161. City of Machu Picchu. Central highlands, Peru. Inka. c. 1450–1540 ce. Granite (architectural complex).
162. All-T’oqapu tunic. Inka. 1450–1540 ce. Camelid fiber and cotton.
163. Bandolier bag. Lenape (Delaware tribe, Eastern Woodlands). c. 1850 ce. Beadwork on leather.
164. Transformation mask. Kwakwaka’wakw, Northwest coast of Canada. Late 19th century ce. Wood, paint, and string.
165. Painted elk hide. Attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone, Wind River Reservation, Wyoming. c. 1890–1900 ce. Painted elk hide.
166. Black-on-black ceramic vessel. Maria Martínez and Julian Martínez, Tewa, Puebloan, San Ildefonso Pueblo, New Mexico. c. mid-20th century ce. Blackware ceramic.
Unit 6: Africa, 1100–1980 ce (14 works - 6%)
167. Conical tower and circular wall of Great Zimbabwe. Shona peoples (Southeastern Zimbabwe). c. 10001400 ce. Coursed granite blocks.
168. Great Mosque of Djenné. Mali. Founded c. 1200 ce; rebuilt 1906–1907 ce. Adobe.
169. Wall plaque, from Oba’s palace. Edo peoples, Kingdom of Benin (Nigeria). 16th century ce. Cast brass.
170. Sika dwa kofi (Golden Stool). Ashanti peoples (south central Ghana). c. 1700 ce. Gold over wood and castgold attachments. 171. Ndop (portrait figure) of King Mishe miShyaang maMbul. Kuba peoples (Democratic Republic of the Congo). c. 1760–1780 ce. Wood.
172. Power figure (Nkisi n’kondi). Kongo peoples (Democratic Republic of the Congo). c. late 19th century ce. Wood and metal. 173. Female (Pwo) mask. Chokwe peoples (Democratic Republic of the Congo). Late 19th to early 20th century ce. Wood, fiber, pigment, and metal.
174. Portrait mask (Mblo). Baule peoples (Côte d’Ivoire). Early 20th century ce. Wood and pigment.
175. Bundu mask. Sande Society, Mende peoples (West African forests of Sierra Leone and Liberia). 19th to 20th century ce. Wood, cloth, and fiber.
176. Ikenga (shrine figure). Igbo peoples (Nigeria). c. 19th to 20th century ce. Wood.
177. Lukasa (memory board). Mbudye Society, Luba peoples (Democratic Republic of the Congo). c. 19th to 20th century ce. Wood, beads, and metal.
178. Aka elephant mask. Bamileke (Cameroon, western grassfields region). c. 19th to 20th century ce. Wood, woven raffia, cloth, and beads.
179. Reliquary figure (byeri). Fang peoples (southern Cameroon). c. 19th to 20th century ce. Wood.
180. Veranda post of enthroned king and senior wife (Opo Ogoga). Olowe of Ise (Yoruba peoples). c. 19101914 ce. Wood and pigment.
Unit 7: West and Central Asia, 500 bce–1980 ce (11 works - 4%)
181. Petra, Jordan: Treasury and Great Temple. Nabataean Ptolemaic and Roman. c. 400 bce–100 ce. Cut rock.
182. Buddha. Bamiyan, Afghanistan. Gandharan. c. 400–800 ce (destroyed in 2001). Cut rock with plaster and polychrome paint. 183. The Kaaba. Mecca, Saudi Arabia. Islamic. Pre-Islamic monument; rededicated by Muhammad in 631–632 ce; multiple renovations. Granite masonry, covered with silk curtain and calligraphy in gold and silverwrapped thread.
184. Jowo Rinpoche, enshrined in the Jokhang Temple. Lhasa, Tibet. Yarlung Dynasty. Believed to have been brought to Tibet in 641 ce. Gilt metals with semiprecious stones, pearls, and paint; various offerings.
185. Dome of the Rock. Jerusalem. Islamic, Umayyad. 691–692 ce, with multiple renovations. Stone masonry and wooden roof decorated with glazed ceramic tile, mosaics, and gilt aluminum and bronze dome.
186. Great Mosque (Masjid-e Jameh). Isfahan, Iran. Islamic, Persian: Seljuk, Il-Khanid, Timurid and Safavid Dynasties. c. 700 ce; additions and restorations in the 14th, 18th, and 20th centuries ce. Stone, brick, wood, plaster, and glazed ceramic tile.
187. Folio from a Qur’an. Arab, North Africa, or Near East. Abbasid. c. eighth to ninth century ce. Ink, color, and gold on parchment.
188. Basin (Baptistère de St. Louis). Muhammad ibn alZain. c. 1320–1340 ce. Brass inlaid with gold and silver.
189. Bahram Gur Fights the Karg, folio from the Great Il-Khanid Shahnama. Islamic; Persian, Il’Khanid. c. 1330–1340 ce. Ink and opaque watercolor, gold, and silver on paper.
190. The Court of Gayumars, folio from Shah Tahmasp’s Shahnama. Sultan Muhammad. c. 1522–1525 ce. Ink, opaque watercolor, and gold on paper.
191. The Ardabil Carpet. Maqsud of Kashan. 1539–1540 ce. Silk and wool.
Unit 8: South, East, and Southeast Asia, 300 bce–1980 ce (21 works - 8%)
192. Great Stupa at Sanchi. Madhya Pradesh, India. Buddhist; Maurya, late Sunga Dynasty. c. 300 bce–100 ce. Stone masonry, sandstone on dome.
193. Terra cotta warriors from mausoleum of the first Qin emperor of China. Qin Dynasty. c. 221–209 bce. Painted terra cotta. 194. Funeral banner of Lady Dai (Xin Zhui). Han Dynasty, China. c. 180 bce. Painted silk.
195. Longmen caves. Luoyang, China. Tang Dynasty. 493–1127 ce. Limestone.
196. Gold and jade crown. Three Kingdoms period, Silla Kingdom, Korea. Fifth to sixth century ce. Metalwork.
197. Todai-ji. Nara, Japan. Various artists, including sculptors Unkei and Keikei, as well as the Kei School. 743 ce; rebuilt c. 1700 ce. Bronze and wood (sculpture); wood with ceramic-tile roofing (architecture).
198. Borobudur Temple. Central Java, Indonesia. Sailendra Dynasty. c. 750–842 ce. Volcanic-stone masonry.
199. Angkor, the temple of Angkor Wat, and the city of Angkor Thom, Cambodia. Hindu, Angkor Dynasty. c. 800–1400 ce. Stone masonry, sandstone.
200. Lakshmana Temple. Khajuraho, India. Hindu, Chandella Dynasty. c. 930–950 ce. Sandstone.
201. Travelers among Mountains and Streams. Fan Kuan. c. 1000 ce. Ink and colors on silk.
202. Shiva as Lord of Dance (Nataraja). Hindu; India (Tamil Nadu), Chola Dynasty. c. 11th century ce. Cast bronze.
203. Night Attack on the Sanjô Palace. Kamakura period, Japan. c. 1250–1300 ce. Handscroll (ink and color on paper).
204. The David Vases. Yuan Dynasty, China. 1351 ce. White porcelain with cobalt-blue underglaze. AP Art History Course and Exam Description
205. Portrait of Sin Sukju (1417–1475). Imperial Bureau of Painting. c. 15th century ce. Hanging scroll (ink and color on silk).
206. Forbidden City. Beijing, China. Ming Dynasty. 15th century ce and later. Stone masonry, marble, brick, wood, and ceramic tile. 207. Ryoan-ji. Kyoto, Japan. Muromachi period, Japan. c. 1480 ce; current design most likely dates to the 18th century ce. Rock garden.
208. Jahangir Preferring a Sufi Shaikh to Kings. Bichitr. c. 1620 ce. Watercolor, gold, and ink on paper.
209. Taj Mahal. Agra, Uttar Pradesh, India. Masons, marble workers, mosaicists, and decorators working under the supervision of Ustad Ahmad Lahori, architect of the emperor. 1632–1653 ce. Stone masonry and marble with inlay of precious and semiprecious stones; gardens.
210. White and Red Plum Blossoms. Ogata Korin. c. 17101716 ce. Ink, watercolor, and gold leaf on paper.
211. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji. Katsushika Hokusai. 1830–1833 ce. Polychrome woodblock print; ink and color on paper.
212. Chairman Mao en Route to Anyuan. Artist unknown; based on an oil painting by Liu Chunhua. c. 1969 ce. Color lithograph.
Unit 9: The Pacific, 700–1980 ce (11 works - 4%)
213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 ce. Basalt boulders and prismatic columns.
214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 ce. Volcanic tuff figures on basalt base.
215. ‘Ahu ‘ula (feather cape). Hawaiian. Late 18th century ce. Feathers and fiber.
216. Staff god. Rarotonga, Cook Islands, central Polynesia. Late 18th to early 19th century ce. Wood, tapa, fiber, and feathers. 217. Female deity. Nukuoro, Micronesia. c. 18th to 19th century ce. Wood.
218. Buk (mask). Torres Strait. Mid- to late 19th century ce. Turtle shell, wood, fiber, feathers, and shell.
219. Hiapo (tapa). Niue. c. 1850–1900 ce. Tapa or bark cloth, freehand painting.
220. Tamati Waka Nene. Gottfried Lindauer. 1890 ce. Oil on canvas.
221. Navigation chart. Marshall Islands, Micronesia. 19th to early 20th century ce. Wood and fiber.
222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century ce. Wood, pigment, fiber, and shell. 223. Presentation of Fijian mats and tapa cloths to Queen Elizabeth II. Fiji, Polynesia. 1953 ce. Multimedia performance (costume; cosmetics, including scent; chant; movement; and pandanus fiber/hibiscus fiber mats), photographic documentation.
Unit 10: Global Contemporary, 1980 ce to Present (27 works - 11%)
224. The Gates. New York City, U.S. Christo and JeanneClaude. 1979–2005 ce. Mixed-media installation.
225. Vietnam Veterans Memorial. Washington, D.C., U.S. Maya Lin. 1982 ce. Granite.
226. Horn Players. Jean-Michel Basquiat. 1983 ce. Acrylic and oil paintstick on three canvas panels.
227. Summer Trees. Song Su-nam. 1983 ce. Ink on paper.
228. Androgyne III. Magdalena Abakanowicz. 1985 ce. Burlap, resin, wood, nails, and string.
229. A Book from the Sky. Xu Bing. 1987–1991 ce. Mixed-media installation.
230. Pink Panther. Jeff Koons. 1988 ce. Glazed porcelain.
231. Untitled #228, from the History Portraits series. Cindy Sherman. 1990 ce. Photograph.
232. Dancing at the Louvre, from the series The French Collection, Part I; #1. Faith Ringgold. 1991 ce. Acrylic on canvas, tie-dyed, pieced fabric border.
233. Trade (Gifts for Trading Land with White People). Jaune Quick-to-See Smith. 1992 ce. Oil and mixed media on canvas.
234. Earth’s Creation. Emily Kame Kngwarreye. 1994 ce. Synthetic polymer paint on canvas.
235. Rebellious Silence, from the Women of Allah series. Shirin Neshat (artist); photo by Cynthia Preston. 1994 ce. Ink on photograph.
236. En la Barberia no se Llora (No Crying Allowed in the Barbershop). Pepon Osorio. 1994 ce. Mixed-media installation.
237. Pisupo Lua Afe (Corned Beef 2000). Michel Tuffery. 1994 ce. Mixed media.
238. Electronic Superhighway. Nam June Paik. 1995 ce. Mixed-media installation (49-channel closedcircuit video installation, neon, steel, and electronic components).
239. The Crossing. Bill Viola. 1996 ce. Video/sound installation.
240. Guggenheim Museum Bilbao. Spain. Frank Gehry (architect). 1997 ce. Titanium, glass, and limestone.
241. Pure Land. Mariko Mori. 1998 ce. Color photograph on glass.
242. Lying with the Wolf. Kiki Smith. 2001 ce. Ink and pencil on paper.
243. Darkytown Rebellion. Kara Walker. 2001 ce. Cut paper and projection on wall.
244. The Swing (after Fragonard). Yinka Shonibare. 2001 ce. Mixed-media installation.
245. Old Man’s Cloth. El Anatsui. 2003 ce. Aluminum and copper wire.
246. Stadia II. Julie Mehretu. 2004 ce. Ink and acrylic on canvas.
247. Preying Mantra. Wangechi Mutu. 2006 ce. Mixed media on Mylar.
248. Shibboleth. Doris Salcedo. 2007–2008 ce. Installation.
249. MAXXI National Museum of XXI Century Arts. Rome, Italy. Zaha Hadid (architect). 2009 ce. Glass, steel, and cement.
250. Kui Hua Zi (Sunflower Seeds). Ai Weiwei. 2010–2011 ce. Sculpted and painted porcelain.